StarTrek01.34–Post Season 1 Analysis Part 3: Diversity and Inclusivity

In this episode: 

This is an audio version of my essay, The Enterprise is not a White Space: why minority representation on Star Trek was so radical and risky in the 1960s.  

Much of American society, including genre TV and film, has historically been cordoned off into white spaces, which is a term coined by Sociologist Elijah Anderson to describe spaces predominantly filled with white people and where Black people are treated as outsiders. In its earliest years, Star Trek showed its audience that it was not a white space, but a diverse and inclusive space. 

To prove the point, my article is a deep dive into casting choices and the creative input of Black actors in Star Trek’s first season. There is more to the story than Uhura and Sulu, as important as those iconic roles are. People of color were chosen as background extras, small speaking roles, and guest stars. Using analysis and many images, my article celebrates unheralded roles like these: 

They all made an impact since even the smallest role kept the Enterprise from being considered a white space. Every week of the 1966-67 television season except for one, you would have tuned in to see Black and brown people in uniform on board a starship.

Sections: 

  • Explanation of Anderson’s thesis on white and Black spaces; brief survey of Jim Crow laws that were being passed in the 1960s 
  • Background Extras 
  • Speaking Guest Roles 
  • Guest Stars  

StarTrek01.34–Post Season 1 Analysis Part 3: Diversity and Inclusivity

In this Episode:

Diversity & Inclusivity

  • Minority Representation
    • Sulu and Uhura 

Sulu and Uhura

Uhura – 86% of the episodes

Sulu – 55%

Both – 50%

Neither – only 2: Devil in the Dark; Miri

  • Extras vs speaking roles & Standout characters
  • Minority Representation by the numbers:
7/28 (25%) featured no people of color as guests or background actors.
If you count Uhura and Sulu, the only one episode, Miri, had now people of color on screen.
96% of season one had some form of minority representation. Every week except for one, you would have tuned in to see black or brown people in uniform on board a starship. 
Background Extra21/28 (75%)
Speaking Guest9/28  (32%)
Guest Star5/28 (18%)The Galileo SevenCourt MartialThe MenagerieSpace SeedA Taste of Armageddon
  • Female Representation
    • Strong
    • Problematic
    • Sexist 

Female Representation 

Strong14 / 50%1. Where No Man Has Gone Before (Dehner)7. Charlie X (Rand)4. The Enemy Within (Rand)5. The Man Trap (Uhura, and Nancy Crater)8. Balance of Terror (Crewman Martine)10. Dagger of the Mind (Dr Noel)14. Court Martial (JAG officer Areel Shaw)15-16. The Menagerie (“The women!”) 18. The Squire of Gothos (Uhura & Yoeman Ross)20.The Alternative Factor (Janet MacLachlan as Charlene Masters)
24. A Taste of Armageddon (Yoeman Tamura & Mea 3)25. This Side of Paradise (Leila Kalomi)26. The Devil in the Dark (Horta)28. The City on the Edge of Forever (Edith Keeler)
Problematic6 / 21%9. What are Little Girls Made of? (Chapel)11. Miri (Rand)17. Shore Leave (the damsel in distress Yoeman)21.Tomorrow is Yesterday (the female-dominated computer programmer society)22.The Return of the Archons (the violent rape and male POV)23. Space Seed (Marla McGivers)
Sexist3 / 11%3. Mudd’s Women6. The Naked Time (Chapel, and the non use of Uhura and rand)12 The Conscience of the King
None5 / 18%Does not mean there were no women; just means they were not featured enough to make an impact one way or the other. 100% of episodes had speaking parts for women. But of these 5, it was either Uhura or minor background officers that had few if any lines.
  • The Legacy of Yeoman Rand

Yoeman Rand episodes

(asterisk indicates Rand was integral of the plot) 

The Corbomite Maneuver

The Enemy Within *

The Man Trap

The Naked Time *

Charlie X *

Balance of Terror

Miri

Planned episodes post-firing:Conscience of the King

Galileo Seven

Court Martial

Shore Leave

Squire of Gothos

Space Seed

A Taste of Armageddon

The City on the Edge of Forever (based on Ellison’s drafts)

  • Was in 7 of 11 episodes during Whitney’s time of the show (64%)
  • Would have been in 15 of 28 episodes (53% of the season) and perhaps more.

StarTrek 01.33–Post Season 1 Analysis Part 2: World Building

In this episode: A complete analysis of World Building in Season One of Star Trek The Original Series:

  • A Survey of all strange new worlds (30) and all new life forms and civilizations (25)
  • A breakdown of categories for each, from barren desolate planets to advanced ones, and primitive aliens to evolved non-corporeals 
  • The State of the Star Trek Universe after only one season: it truly is the final frontier, visiting no member worlds and only 5 Federation colonies–four of which ended in bloodshed and disaster! 

Star Trek 01.32–Post-Season 1 Analysis Part 1: Narrative Structure

In this episode:

The first part of our post-season 1 analysis of Star Trek: The Original Series, with a focus on trends in narrative structure.

Antagonist Type: There are more monster episodes than you might think, but the monsters and the villains are depicted in unconventional ways.

Monster: 11/28 (39.2%)

Villain: 9/28 (32.1%)

Computer: 4/28 (14.2%)

Other: 6/28 (21.4%)

Science Fiction Element Spectrum: Only a quarter of episodes are heavy science-fiction; while more than a third have only one notable Sci-fi element

Above Average (4+ elements)

1. Where No Man Has Gone Before (4)

9. What are Little Girls Made of? (4)

29. Operation Annihilate (4)

20.The Alternative Factor (5)

28. The City on the Edge of Forever (5)

15-16. The Menagerie (6)

22.The Return of the Archons (8)

Below Average (1-2 elements)

3. Mudd’s Women(1)

10. Dagger of the Mind (1)

12 The Conscience of the King(1)

14. Court Martial(1)

27. Errand of Mercy(1)

4. The Enemy Within (2)

6. The Naked Time (2)

7. Charlie X (2)

21.Tomorrow is Yesterday(2)

26. The Devil in the Dark(2)

Average (3 elements)

2. The Corbomite Maneuver

5. The Man Trap

8. Balance of Terror

11. Miri

13. The Galileo Seven

17. Shore Leave

18. The Squire of Gothos

19.Arena

23. Space Seed

24. A Taste of Armageddon

25. This Side of Paradise

Conflict Resolution: A strong majority of the episodes end with the character coming up with clever solutions to get them out of their problem

Wits: 12 (43%) (75%)

Wits & Fists: 9 (32%)

Fists: 4 (14.2%)

Other: 3 (10%)





Knight of Faith 003–Meet You Fairly (Updates)

In this episode:

Justin shares some ruminations on similarities between the historical Al Swearingen and the founder of the Trump family dynasty Friedrich Trump, who also ran a brothel in a gold mining camp. 

  • Here is a link to the McKay Coppins article about the Trumps (October 2019) 
  • Here is a link to the Swearingen biography on Amazon. It’s a great read, chocked full of interesting Deadwood history.  

Justin provides updates about David Milch’s condition and status of his current writing projects, based on the most recent reporting. 

  • Here is the link to the Mark Singer New Yorker profile of Milch (May 2019).

Justin charts the next phases of the Knight of Faith podcast project, cataloguing and analyzing Milch lectures and readings spread over five year increments: 2014-2019; 2010-2014; 2004-2009.

  • Here is the link to the video that will be the focus of the next podcast.
  • And here is the link to the Milch reading at Vulture Festival (May 10, 2014) that has been taken down by Vulture.  If anyone can find the actual video please let me know.    

StarTrek 01.31–Operation: Annihilate!

In this episode:

  • an analysis of “Operation: Annihilate!” the last aired episode of Season One of Star Trek
  • a fitting season finale (even though 60s TV did not really do those as we understand them) because it has a grand scale and important character development for all three leads–Kirk, Spock and McCoy–which is unusual
  • a strong science-fiction outing with an alien that spreads “mass insanity” throughout the galaxy–and they look like flying jellyfish. 

StarTrek01.30–The City on the Edge of Forever

In this episode: 

An analysis of The City on the Edge of Forever:

  • How the episode still lives up to the hype five decades later
  • Edith Keillor voices Star Trek’s Mission Statement, and is a stand in for all Star Trek fans
  • A comparison with Ellison’s script–the good, the bad and the ugly–especially Keillor, whom Ellison wrote as a Pentecostal evangelical crossed with L. Ron Hubbard. Hint: the filmed version is better. 

StarTrek01.29–Errand of Mercy

In this episode: An analysis of Errand of Mercy.

The origins of the Klingon culture–hint: another Vietnam-era analogy.

The Klingon look–not just swarthy villain stereotypes

NOTE: I did not address connections to Star Trek: Discovery in the podcast, due to time. But I have included quotes from the episode that speak how Kirk viewed the Klingons at that point in time. I see nothing in the dialogue that contradicts the war depicted in DSC Season 1. In fact, I can sense that Kirk, Spock and Kor are speaking here with the living memory of having experienced the socio-political situation of that war.   

Kirk: “We both guessed right. Negotiations with the Klingon Empire are on the verge of breaking down. Starfleet Command anticipates a sneak attack…. Well there it is. War. We didn’t want it, but we got it.”

Spock: “Curious how often you humans manage to obtain that which you do not want.”

Kor: “Do you know why we are so strong? Because we are a unit. Each of us is part of a greater whole. Always under surveillance, even a commander like myself.”

Knight of Faith 002–Deadwood: The Movie Forethoughts and Afterthoughts

Justin shares his thoughts just before and just after watching Deadwood: The Movie; places the film in context with some ideas that Milch has always shared about his hopes for Deadwood’s finale:

  • “All stories must end in the Spirit”
  • “Time is the secret subject of every story worth telling”

Sources mentioned in this episode:

Deadwood: Stories of the Black Hills by David Milch

Reviews of the movie:

Deadwood: The Movie is a fitting capstone to one of TV’s greatest shows

In One Last ‘Deadwood,’ the Future Prevails and the Past Endures

Knight of Faith: A David Milch Anthology (001: First Steps)

In this episode:

Writer and educator Justin Scott Snead kicks off a podcast series that discusses all things David Milch. This podcast will serve as a repository for all the online lectures, readings and public remarks Milch has given; Milch profiles and interviews; any of Milch’s non-teleplay writings. We will analyze and discuss major ideas or themes that emerge from this material, as well as the TV shows he has written.   

Sources mentioned in this episode:

Sundown on Deadwood David Milch, battling Alzheimer’s, finally finishes his TV Western.
Behind the Scenes as HBO’s Deadwood Movie Searches for Closure (or Something Like It)